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Popeye the Sailor meets Sinbad the Sailor Movie (1936)
⏲ 16:1 👁 12.7M
Yeh Andhaa Kaanoon with lyrics|यह अंधा क़ानून गाने के बोल|Andhaa Kaanoon|Amitabh Bachchan,Hema Malini
⏲ 6 minutes 15 seconds 👁 1.4M
Avva Kano Kannada - Pallakki - Movie | SPB | Gurukiran | Prem Kumar, Ramanithu | Jhankar Music
⏲ 4 minutes 26 seconds 👁 2.1M
Amar Singh Chamkila _ Full Movie _ Based on Real Life Story _ Diljit Dosanjh, ParineetiChopra
⏲ 2:26:7 👁 515K
Kano - P's and Q's (Official Music Video)
⏲ 3 minutes 41 seconds 👁 6.3M
Kano - This Is England
⏲ 4 minutes 1 second 👁 2.6M
Krishna Vrinda Vihari _ Full Movie _ Romantic Love Story _ Naga Shaurya, Shirley Setia
⏲ 2:18:48 👁 450K
Bash Neh pha - Kano (Official audio)
⏲ 3 minutes 33 seconds 👁 22.3K
Kano Sings A Song (Mortal Kombat 2021 Movie Parody)
⏲ 2 minutes 55 seconds 👁 183.9K
PriyamaniRomanticAkasmika Geleyano Song ! Ko Ko Kannada Movie Kannada movies _ Kannada songs,
⏲ 3:2 👁 100K
Dheere Dheere Pyar Ko Lyrical- Phool Aur Kaante | Ajay Devgn & Madhoo | Alka Yagnik, Kumar Sanu
⏲ 5 minutes 49 seconds 👁 6.6M
Wajaluo Mtakufa Kwa Maji mpaka Dakika Ya Mwisho‼️Ken songa
⏲ 5 minutes 9 seconds 👁 180
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_popeye-the-sailor-meets-sinbad-the-sailor-movie-1936.webp "Popeye the Sailor meets Sinbad the Sailor Movie (1936) - Full Movie -Directed by Dave Fleischer, with the title song's music composed by Sammy Timberg and lyrics written by Bob Rothberg. The voice cast includes Jack Mercer as Popeye, Gus Wickie as Sindbad the Sailor, Mae Questel as Olive Oyl and Lou Fleischer as J. Wellington Wimpy.<br/><br/>Plot: Sindbad the Sailor (intended to be an alternate version of Popeye's old nemesis Bluto) lives on an island where he keeps loads of creatures that he had captured during his adventures, where he proclaims himself, in song, to be the greatest sailor, adventurer, and lover in the world and \")
_yeh-andhaa-kaanoon-with-lyrics124-124andhaa-kaanoon124amitabh-bachchanhema-malini.webp "Saregama Music")
_avva-kano-kannada-pallakki-movie-124-spb-124-gurukiran-124-prem-kumar-ramanithu-124-jhankar-music.webp "Jhankar Music")
_amar-singh-chamkila---full-movie---based-on-real-life-story---diljit-dosanjh-parineeti-chopra.webp "‘Amar Singh Chamkila’ review: An off-key biopic of the iconic Punjabi singer.<br/>Amar Singh Chamkila - Full Movie | Diljit Dosanjh, Imtiaz Ali, A. R. Rahman, Irshad Kamil, Parineeti<br/>Imtiaz Ali’s Amar Singh Chamkila attempts to bottle the essence of a legendary Punjabi singer who evades easy categorisation. Murdered in 1988 at the age of 27 when he was at the height of his powers, Chamkila is an exemplar of the supernova who lives and dies for art.<br/><br/>Biopics on Chamkila have been previously announced and abandoned; at least one of them, starring Diljit Dosanjh, was completed but stalled by a lawsuit. Chamkila’s unsolved assassination shaped key plot points in Rohit Jugraj’s web series Chamak (2023). The difficulty of drawing definitive conclusions about Chamkila’s multi-faceted legacy led to Kabir Singh Chowdhry’s fascinating experimental docu-fiction Mehsampur (2018).Ali’s version, which is out on Netflix and is also led by Dosanjh, reaches for low-hanging fruit: who – or what – killed Chamkila?<br/><br/>The screenplay, by Imtiaz Ali and Sajid Ali, unfolds like a police procedural. Chamkila (Dosanjh) is gunned down along with his singer-wife Amarjot (Parineeti Chopra) soon after they arrive in Mehsampur for a concert. A police officer who dismisses the icon as a vulgarian learns about Chamkila’s hardscrabble background, overnight success, and the unwelcome attention he attracted for his bawdy, taboo-busting songs.I discovered the man who was born Dhani Ram, one man says. I gave him his stage name, another asserts. Inspired by the goings-on around him, Chamkila wields his tumbi like a magic wand, bewitching local listeners as well as the Punjabi diaspora. Yet, his fame cannot shield from him from the ire of militants, religious leaders and the police.<br/><br/>Dosanjh, Chopra, and a few other singers perform Chamkila’s original songs in Punjabi, with the Hindi translations appearing on the screen. AR Rahman’s Punjabi pop-inflected Hindi soundtrack is woven into the musical-like saga. (Punjab is called Panjab throughout the movie.)The hot-blooded account of a cold case includes animation, split screens and footage of the real Chamkila and Amarjot. There is enough archival material included in the film to make the heart yearn for a straight-up documentary.<br/><br/>The music video-level aesthetic creates enough momentum to distract from how mundane the movie turns out to be. Chowdhry’s Mehsampur suggested that the aura around Chamkila was too thick to penetrate, especially by filmmakers who had not breathed the same air as him. Ali is untrammelled by such concerns. Having bagged the rights to Chamkila’s music catalogue, and having recruited big-name talent, Ali sets out to Bollywoodise the folk performer.The biopic is fixated on the explicit lyrics that put Chamkila on the top of charts and hit lists. Ali’s recent projects similarly focus on sexual matters, including the shows She, about a repressed police constable, and Dr Arora, about a sexologist.")
_kano-p39s-and-q39s-official-music-video.webp "kano")
_kano-this-is-england.webp "kano")
_krishna-vrinda-vihari---full-movie---romantic-love-story---naga-shaurya-shirley-setia.webp "The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib")
_bash-neh-pha-kano-official-audio.webp "Bash Neh Pha")
_kano-sings-a-song-mortal-kombat-2021-movie-parody.webp "Aaron Fraser-Nash")
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_dheere-dheere-pyar-ko-lyrical-phool-aur-kaante-124-ajay-devgn-amp-madhoo-124-alka-yagnik-kumar-sanu.webp "Tips Official")
_wajaluo-mtakufa-kwa-maji-mpaka-dakika-ya-mwishoken-songa.webp "Facemoja TV")
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