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Search Results - Showing 84 - 96 Of 119
Jacaszek - Dare-gale
⏲ 2 min 54 sec ✓ 05-Jan-2012
All That Is Solid (2014)
⏲ 9 min 72 sec ✓ 19-Jul-2014
Malacostraca
⏲ 9 min 36 sec ✓ 12-Nov-2019
THE LADY VANISHES Titles
⏲ 38 sec ✓ 19-Mar-2013
OMAI FA'ATASI: SAMOA MO SAMOA by Takashi Fujii
⏲ 19 min 44 sec ✓ 29-Apr-2020
A YOUNG MAN'S FUTURE (2016) Teaser Trailer [HD]
⏲ 1 min 20 sec ✓ 17-Jun-2016
Summer Heat (part ii)
⏲ 3 min 45 sec ✓ 13-May-2017
Molly
⏲ 6 min 31 sec ✓ 16-Sep-2011
Len Lye - Rhythms - Trailer
⏲ 1 min 5 sec ✓ 26-May-2015
Brief clip of 1924 Stag Film
⏲ 36 sec ✓ 31-Oct-2009
Sheets ft. Liza Flume- Alexander Remus MUSIC EDIT
⏲ 1 min 88 sec ✓ 17-Apr-2017
The Story to Help Save My Celluloid Film & Television Archives from Decomposing as experienced by Ira H. Gallen GO FUND ME
⏲ 4 min 85 sec ✓ 19-May-2019
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_jacaszek-dare-gale.webp "music: Jacaszek / video: Pedro MaiannDare Gale video is based on super 8 shootings made by Michal Jacaszek and Pedro Maia at Porto and results from the work in the dark room using analogue means of light manipulation of the celluloid and superposition film. The super 8 footage and its manipulation of the film is the starting point of a visual exploration resulting from the interplay of vibrant patterns and the effect of light on the objects.nThe manipulation transforms the viewing of the the vid")
_all-that-is-solid-2014.webp "16mm, HD, 2014nn'All That Is Solid' investigates Brutalist architecture through the surface of black and white analog film. The film features three prominent examples of Brutalist architecture, Robarts Library, U of T Scarborough campus and York University campus. Footage of the buildings has been degraded using a number of chemical and physical processes. The film explores the utopian visions that inspired the Brutalist nmovement and the material and aesthetic connection between concrete and fi")
_malacostraca.webp "A failing writer loses his grip on reality as his wife grows pregnant with their child... Written/directed by Charles Pieper. Cinematography by Ava Benjamin Shorr. Creature puppets by Gabe Bartalos.nnhttps://directorsnotes.com/2019/11/18/charles-pieper-malacostraca/nhttps://www.shortoftheweek.com/2020/07/02/malacostraca/nnAward and nominations:n-Filmquest 2018 - Winner: BEST MAKEUP EFFECTS IN A SHORT. Nominated for: Best directing of a short, Best horror short, Best cinematography in a short, be")
_the-lady-vanishes-titles.webp "The titles for the BBC film remake.nnThis sequence sets the stage and the time period - a kinetic piece on a train that's almost abstracted, playing with light and contrast.nnIt's inspired by a Zoetrope and in the original design, the train was going to form out of unspooling celluloid.nThe strobic nature of the locomotive is explored to create tricks of light and transitions. Titles are hidden in the shadows, revealed briefly by passing shafts of light before disintegrating back into the darkne")
_omai-fa39atasi-samoa-mo-samoa-by-takashi-fujii.webp "A key component of Visual Communications'")
_a-young-man39s-future-2016-teaser-trailer-hd.webp "Based on real life stories. A Young Man's Future is the story about two gay college students who fall in love one year before graduation and have bright futures until one of them develops schizophrenia. nn")
_summer-heat-part-ii.webp "after a long hard year with multiple failures including losing my main work machine i finally had enough and finished this chaotic Summer Heat chapter... i had 3 phases in mind for this work, the original reel, the second part which was slower and more composed and then this part which aimed to be choas... it ended up being something i would come back to in chapters as a sound design exercise so it was interesting to work in this broken up way.. i find it exciting to see it come together as a wh")
_molly.webp "‘Molly’ begins with sinister and decaying images of a young family. What follows is a temporal stream of moments from the lives of two lovers. The film culminates in their future together.nnnEvaluationnnThe aim of ‘Molly’ was to present a fictional filmic study of two lovers, surveying pockets of their life and enabling the viewer to deduce his or her own reasons for the choices that the characters make. These ‘choices’ prevalent in the viewers mind, should create a very fluid and de")
_len-lye-rhythms-trailer.webp "Len Lye - Rhythms:n- Kaleidoscope, 1935, 35mm, 4'n- Colour Flight, 1938, 35mm, 4'n- Swinging the Lambeth Walk, 1939, 35mm, 4'n- Color Cry, 1953, 16mm, 3'n- Rhythm, 1957, 16mm, 1'n- Free Radicals, 1958/1979, 16mm, 4'n- Particles in Space, 1967-1971/1979, 16mm, 4'n- Tal Farlow, 1960/1980, 16mm, 2'nn“Lye’s development of the direct film method could be seen as a perfect example of the radical, ‘do it yourself’ approach he had developed in New Zealand. Unable to afford to buy or rent a camer")
_brief-clip-of-1924-stag-film.webp "In the course of my research into my unremembered past, I stumbled upon this video transfer of a 1920's stag film. The badly damaged celluloid from which it was dubbed, was discovered in an auction of the contents of a recently recovered collection from Louis B. Mayer, co-founder of Metro-Goldwyn-MayernnFortunately, whatever sordid acts I may have committed in the later sections of the film havebeen destroyed through deterioration of the fragile medium. nnLogic and reason dictates that it woul")
_sheets-ft-liza-flume-alexander-remus-music-edit.webp "Starring: Renako McDonald and Larissa Goldner nnDirector - Harriet MacdonaldnProducer - Amandao’shaughnessynExec Prod - Robin van Calcar @ Pixels and CelluloidnDOP - Matthew Emvin TaylornGaffer - James FoxnFocus - VlassisSkoulisnAC - Raúl A. MenéndeznMakeup - Angele HersantnWardrobe - Stefania TarantinonArt Dept - Juliet CoppermannProd. assistant - Laurence ChampnColourist - Sebastian GuttmannnMusic Alexander Remus https://www.facebook.com/Alexander.RemusnnShot on Alexa with Vintage Hawk")
_the-story-to-help-save-my-celluloid-film-amp-television-archives-from-decomposing-as-experienced-by-ira-h-gallen-go-fun.webp "The Story to Help Save My Celluloid Film & Television Archives from Decomposing as experienced by Ira H. Gallen GO FUND ME from celluloid")
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