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Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
⏲ 2:39:15 👁 2.4M
BTSmovies
⏲ 5 minutes 15 seconds 👁 2.2K
Boxoffice Movie Scenes
⏲ 4 minutes 35 seconds 👁 3.4M
Freddy Full Movie 2022 | Kartik Aaryan, Alaya F | Shashanka Ghosh | Disney+ Hotstar |Facts & Details.<br/>Movie Story : The lines between love and obsession blur in this romantic thriller packed with unpredictable twists and sharp turns.
⏲ 2:3:50 👁 905K
One Of The Millions
⏲ 7 minutes 12 seconds 👁 170.3K
Bill Simmons
⏲ 1 hour 29 minutes 47 seconds 👁 41.4K
Twisters New Official Movie Trailer <br/><br/><br/>Let's Ride. <br/>#TwistersMovie is only in theaters July 19.<br/>_____ <br/> <br/>This summer, the epic studio disaster movie returns with an adrenaline-pumping, big-screen thrill ride that puts you in direct contact with one of nature’s most wondrous—and destructive—forces. <br/> <br/>From the producers of the Jurassic, Bourne and Indiana Jones series comes Twisters, <br/>a current-day chapter of the 1996 blockbuster, Twister. Directed by Lee Isaac Chung, the Oscar® nominated writer-director of Minari, Twisters stars Daisy Edgar-Jones (Where the Crawdads Sing), Glen Powell (Top Gun: Maverick) and Anthony Ramos (Transformers: Rise of the Beasts) as equal forces, with opposing motivations, who come together to try to predict, and possibly tame, the immense power of tornadoes.<br/><br/>Edgar-Jones stars as Kate Carter, a former storm chaser haunted by a devastating encounter with a tornado during her college years who now studies storm patterns on screens safely in New York City. She is lured back to the open plains by her friend, Javi (Ramos) to test a groundbreaking new tracking system. There, she crosses paths with Tyler Owens (Powell), the charming and reckless social-media superstar who thrives on posting his storm-chasing adventures with his raucous crew, the more dangerous the better.<br/> <br/>As storm season intensifies, terrifying phenomena never seen before are unleashed, and Kate, Tyler, Javi and their crews find themselves squarely in the paths of multiple storm systems converging over central Oklahoma in the fight of their lives.<br/><br/>Twisters features an exciting new cast, including Nope’s Brandon Perea, Golden Globe winner Maura Tierney (Beautiful Boy), Sasha Lane (American Honey), Harry Hadden-Paton (The Crown), David Corenswet (We Own This City), Daryl McCormack (Peaky Blinders), Tunde Adebimpe (Leave the World Behind), Katy O’Brian (Ant-Man and the Wasp: Quantumania), Nik Dodani (Atypical), Kiernan Shipka (Chilling Adventures of Sabrina) and Paul Scheer (Black Monday).<br/><br/>From Amblin, Twisters is directed by Lee Isaac Chung and is produced by Oscar® nominee Frank Marshall (Jurassic and Indiana Jones franchises) and by Patrick Crowley (Jurassic and Bourne franchises). The screenplay is by Mark L. Smith, writer of the Best Picture nominee The Revenant, from a story by Joseph Kosinski (Oblivion), based on characters created by Michael Crichton & Anne Marie Crichton. The executive producers are Academy Award® winner Steven Spielberg, Thomas Hayslip and Ashley Jay San
⏲ 3:7 👁 995K
Raid movie review: It tells the story of an income tax deputy commissioner, Amay Patnaik (Devgn), who lands in Lucknow with his wife Malini.<br/>Inspired by \
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Mysteries and mirages, twists and turns. In the heart of an unforgiving desert, unfolds a gritty thriller, unlike any other., Starring Anil Kapoor, Harshvarrdhan Kapoor, and Fatima Sana Shaikh.<br/>Set in Munabao, a sleepy, parched hamlet near the Rajasthan-Pakistan border, Raj Singh Chaudhary’s Thar is a tribute to American Westerns. It has all the usual elements—blood, gore, violence, an arid, nondescript village lost in time, local gangsters, svelte village belles, an ageing inspector, and a brooding, mysterious stranger. All of it wonderfully supported by stunning scenic visuals of remote Rajasthan.<br/>I am a Rajasthani. I have been raised in the desert state. I know the geography like a native should and yet, I watched Shreya Dev Dube’s skilled camerawork with open-mouthed wonder. Thar’s cinematography is its hero. The desiccated terrain, the barren hills, the omnipresent dust, and the aridity of it all is so palpable, that you can feel the acute lack. Of water, vegetation, humanity. Dubey’s prowess does not just provide the right setting for the drama to unfold, it gives the film its true protagonist and thence the title.<br/><br/>The other thing that stands out about Thar is its depiction of brutality. It’s as savage and unapologetic as the acts themselves. This Netflix film is disturbingly graphic. Even by the standards of Westerns and revenge dramas. Violence begets violence, but be warned, this one shows it all—the severing of body parts, the mutilation, the slow torture, the immolation—up close and in distressing detail.<br/><br/>At the heart of it all is Inspector Surekha Singh, a weather-beaten cop six months away from retirement, played with inimitable swag by Anil Kapoor. His official rank does not justify his acumen for his job and his spirit to do it well. Dissatisfied with his unremarkable, middling career, he wants to go out with a bang. And soon enough, an opportunity plays out. There’s a shootout involving cross-border drug smuggling and a local man is found hanging from a tree, inhumanly mutilated. Surekha spurs into action.
⏲ 1:48:37 👁 865K
Boneyard Movie (2024) Trailer - On Digital and On Demand July 2nd; In Theaters July 5th. Starring Brian Van Holt, Curtis “50 Cent” Jackson, Nora Zehetner, Michael Sirow, and Mel Gibson. - Plot Synopsis:When the skeletal remains of eleven women and girls are discovered in the New Mexico desert, an extensive investigation is launched. Inspired by true crime stories, this chilling crime-thriller follows Detective Ortega (Brian Van Holt), Police Chief Carter (Curtis “50 Cent” Jackson), and Agent Petrovick (Mel Gibson) in a multi-agency effort to identify and apprehend the killer. As each of their agendas and methods clash, a tangled web of intrigue casts suspicion in all directions.
⏲ 2:5 👁 22.1M
Andromeda 3 Movie Trailer HD - Plot synopsis:The Andromeda saga continues as a space marine tracks down a secret weapon that can help save a dying galaxy.<br/><br/>Brett Bentman<br/><br/>Cast<br/>J. Benedict Larmore, Tom Zembrod, Kishor Ryan
⏲ 1:46 👁 5M
The Dreamers (2003) Full Movie | Eva Green, Louis Garrel, Michael Pitt, Ingy Fillion |Facts & Review<br/><br/>Hello Friends, Welcome To Our Youtube Channel. Today I Am Going To Give You Information About The Dreamers, Which Was Released In 2003.<br/><br/>The Dreamers Is A 2003 Romantic Drama Film Directed By Bernardo Bertolucci. The Screenplay Is By Gilbert Adair, Based On His 1988 Novel The Holy Innocents. An International Co-Production By Companies From France, The United Kingdom, And Italy, The Film Tells The Story Of An American University Student In Paris Who, After Meeting A Peculiar Brother And Sister Who Are Fellow Film Enthusiasts, Becomes Entangled In An Erotic Triangle. It Is Set Against The Backdrop Of The 1968 Paris Student Riots. The Film Makes Several References To Various Movies Of Classical And French New Wave Cinema, Incorporating Clips From Films That Are Often Imitated By The Actors In Particular Scenes.<br/><br/>There Are Two Versions: An Uncut NC-17-Rated Version, And An R-Rated Version That Is About Three Minutes Shorter.<br/><br/>Directed By Bernardo Bertolucci<br/>Screenplay By Gilbert Adair<br/>Based On The Holy Innocents<br/>By Gilbert Adair<br/>Produced By Jeremy Thomas<br/>Starring Michael Pitt<br/>Eva Green<br/>Louis Garrel<br/>Cinematography Fabio Cianchetti<br/>Edited By Jacopo Quadri<br/>Production<br/>Companies <br/>Recorded Picture Company<br/>Peninsula Films<br/>Distributed By TFM Distribution (France)<br/>Medusa Distribuzione (Italy)<br/>Fox Searchlight Pictures (United Kingdom/United States)<br/>Release Dates <br/>10 October 2003 (Italy)<br/>10 December 2003 (France)<br/>6 February 2004<br/>Running Time 115 Minutes<br/>Countries United Kingdom<br/>France<br/>Italy<br/>Languages English<br/>French<br/>Budget €15.9 Million<br/>Box Office $15.12 Million<br/><br/>Cast<br/><br/>Michael Pitt As Matthew<br/>Eva Green As Isabelle<br/>Louis Garrel As Théo<br/>Anna Chancellor As Mother<br/>Robin Renucci As Father<br/>Jean-Pierre Kalfon As Himself<br/>Jean-Pierre Léaud As Himself<br/>Florian Cadiou As Patrick<br/>Pierre Hancisse As First Buff<br/>Valentin Merlet As Second Buff<br/>Lola Peploe As The Usherette<br/>Ingy Fillion As Théo's Girlfriend
⏲ 1:33:5 👁 650K
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