Hopout Shawn - Google Maps ft. Dracbaby (Official Video) from there rap song maps Watch Video

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Study Suggests , Lyrics Have Gotten , Simpler Over Time.<br/>According to a recent study, the lyrics <br/>of modern-day music have become more <br/>repetitive over the course of the last 40 years. .<br/>'Newsweek' reports that the study found <br/>English-language songs have become not only <br/>more repetitive but also simpler over time.<br/>Music is ubiquitous in our everyday lives, and lyrics play an integral role when we listen to music. , Study authors, via 'Newsweek'.<br/>Researchers looked at lyrics of over 12,000 English-<br/>language songs across a number of genres, including rap, <br/>country, rock and pop, released between 1980 and 2020.<br/>The complex relationships between lyrical content, its temporal evolution over the last decades, and genre-specific variations, however, are yet to be fully understood, Study authors, via 'Newsweek'.<br/>The findings suggest that lyrics became easier <br/>to understand and the number of different <br/>words used in the songs also decreased. .<br/>In this work, we investigate <br/>the dynamics of English lyrics <br/>of Western, popular music over <br/>five decades and five genres, <br/>using a wide set of lyrics descriptors, <br/>including lyrical complexity,<br/> structure, emotion, and popularity, Study authors, via 'Newsweek'.<br/>In this work, we investigate <br/>the dynamics of English lyrics <br/>of Western, popular music over <br/>five decades and five genres, <br/>using a wide set of lyrics descriptors, <br/>including lyrical complexity,<br/> structure, emotion, and popularity, Study authors, via 'Newsweek'.<br/>According to the authors, the findings <br/>suggest how music is largely being used as <br/>background noise in the modern day. .<br/>The study also found that the meaning expressed <br/>in lyrics has also changed in the past four decades.<br/>We confirm previous analyses <br/>showing that the emotion described <br/>by lyrics has become more negative <br/>and that lyrics have become more <br/>personal over the last five decades, Study authors, via 'Newsweek'.<br/>The team's findings were published <br/>in the journal 'Scientific Reports.'
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Glasgow Jazz Festival has unveiled its programme for 2024, with performances from some of the biggest names in jazz set to be hosted in the city this summer. Taking place between Wednesday 19th - Sunday 23rd June 2024, there are over 20 captivating events confirmed across Glasgow.<br/>This year sees Glasgow Jazz Festival return to well-loved venues including the Mackintosh Church<br/>and Òran MÃŗr in the West End, the City Centre’s Nice n Sleazy, Saint Luke’s in the East End and The Glad CafÊ in the Southside.<br/>The Glasgow Jazz Festival 2024 line-up showcases everything from the legendary to the up-and- coming, and promises an electrifying line-up that festival audiences have come to expect of the world-renowned event.<br/>At the East End’s iconic Saint Luke’s, the spotlight will shine on jazz luminary Bobby Watson and his Quartet. Making a triumphant return to Glasgow after a hiatus of over a decade, the esteemed US saxophonist is best known for his unparalleled improvisational prowess. Having graced the Glasgow Jazz Festival stage as Artist in Residence exactly 30 years ago, in 1994, Watson’s long-awaited comeback is sure to be a highlight of this year's five-day festival.<br/>Spiritual jazz act Mama Terra will recreate songs from the classic album 'Head Hunters' by Herbie<br/>Hancock in their own sound, while kitti's Caledonian Songbook pays homage to songs in the Scots tradition from Robert Burns right up to Paolo Nutini. Winner of 2023 BBC Radio Scotland Young Jazz Musician of the Year, pianist Ben Shankland also performs an afternoon show, as well as Glasgow Improvisers Orchestra who reunite with Orphy Robinson, one of the most engaging and influential<br/>voices in British jazz. <br/>Across the city in Òran MÃŗr, a diverse array of jazz virtuosos takes centre stage – from the smooth, intricate melodies of the Jim Mullen Trio to the funky rhythms of original member of the Average White Band Hamish Stuart and his band. International sensations Kyoto Jazz Massive will transport listeners on a mesmerising journey, blending Japanese and French influences into a harmonious fusion of sound.<br/>The Mackintosh Church will present the inimitable Fergus McCreadie Trio. Fresh off their nomination for the prestigious Mercury Prize and crowned winners of the Scottish Album of the Year in 2022, this Scottish ensemble will showcase their captivating compositions and virtuosic<br/>performances alongside tracks from their new album ‘Stream’.<br/>The Nice n Sleazy stage will showcase the dynamic duo of Scottish saxophonist Norman Willmore and drummer Corrie Dick. Having graced stages at festivals across the UK, they will bring their<br/>electrifying energy and infectious rhythms to the heart of Glasgow. BLACKSABBATHMODE is a collaboration between nu-jazz duo BIGHEADMODE and distinguished multi-instrumentalist Plumm<br/>inspired by the legendary rock band, Black Sabbath. Scottish protest musician Kapil Seshasayee fuses R&B, Indian classical and jazz fusion with contemporary electronica.
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The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
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